Di: Emanuela Burgazzoli
Après la guerre, l’art de Roger de La Fresnaye, contraint par la maladie d’abandonner la peinture à l’huile et les grands formats, reprend le chemin de la figuration classique, dans la tradition du paysage français et de l’art italien ancien.
“Portrait de Jean-Louis Gampert” (1920)
gouache su carta
24 x 17,5 cm
Centre Pompidou, Parigi
Musée national d’art moderne – Centre de création industrielle
Donazione Société des amis du Luxembourg, 1934
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