Di: Emanuela Burgazzoli
Dans les grandes natures mortes cubistes d’avant la Première Guerre mondiale, Roger de La Fresnaye montre qu’il a acquis son propre langage, au point que certaines de ses compositions ressemblent à du papier-collé.
“Le Diabolo”, 1913 olio su tela 73,5 x 92,5 cm
Kunstmuseum Solothurn
Josef Müller-Stiftung
Foto SIK-ISEA Zürich
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