%20--%3e%3csvg%20version='1.1'%20id='Layer_1'%20xmlns='http://www.w3.org/2000/svg'%20xmlns:xlink='http://www.w3.org/1999/xlink'%20x='0px'%20y='0px'%20viewBox='0%200%20100.6%2073.7'%20style='enable-background:new%200%200%20100.6%2073.7;'%20xml:space='preserve'%3e%3cstyle%20type='text/css'%3e%20.st0{fill:%23AF001E;}%20.st1{fill:%23FFFFFF;}%20%3c/style%3e%3cg%3e%3crect%20class='st0'%20width='100.6'%20height='73.7'/%3e%3cpath%20class='st1'%20d='M25.2,36.3l-0.5,2.3c-0.2,0.7-0.2,1-0.2,1.2c0,0.5,0.2,1,0.5,1.6L31.5,53c0.5,0.9,1,1.3,2.3,1.3h5.9%20c0.8,0,1.7-0.5,0.8-1.8l-7.9-13.1c2.7-1.7,5.6-4.1,5.6-9.3c0-6.8-3.8-10.6-12.2-10.6H13.9c-1.1,0-1.4,0.4-1.4,1.5v32%20c0,1.1,0.3,1.5,1.4,1.5h5c1.1,0,1.4-0.4,1.4-1.5V26h5.2c3.3,0,4.8,1.2,4.8,4.2c0,2.8-1.2,3.6-2.5,4.2C26.3,35,25.7,34.3,25.2,36.3z%20'/%3e%3cpath%20class='st1'%20d='M45.9,48.8L45.3,53c-0.1,0.8,0.3,1.1,1,1.2c1.6,0.2,5.5,0.5,9.4,0.5c8.6,0,14.9-2.8,14.9-10.9%20c0-4.7-2.1-8.3-9.2-10.1l-4-1c-2.7-0.7-4-1.6-4-3.6c0-2.8,2.6-3.4,5.1-3.4c3.4,0,6.8,0.3,8.1,0.4c1.4,0.1,1.8-0.1,2-1.2l0.7-4.1%20c0.1-0.8-0.3-1.1-1-1.2c-1.6-0.2-5-0.5-9.4-0.5c-9,0-13.3,3.9-13.3,10.1c0,5.6,3,8.9,8.3,10.3l4,1c3.3,0.9,4.7,1.8,4.7,3.9%20c0,3-2.1,3.6-7.1,3.6c-2.3,0-6.2-0.3-7.6-0.4C46.5,47.4,46.1,47.6,45.9,48.8z'/%3e%3cpath%20class='st1'%20d='M79.4,52.9c0,1.1,0.3,1.5,1.4,1.5h5c1.1,0,1.4-0.4,1.4-1.5v-32c0-1.1-0.3-1.5-1.4-1.5h-5%20c-1.1,0-1.4,0.4-1.4,1.5V52.9z'/%3e%3c/g%3e%3c/svg%3e)
Il "Blaue Reiter" (Cavaliere blu) torna protagonista di una mostra in Svizzera dopo 30 anni: la Fondazione Beyeler di Riehen, alle porte di Basilea, presenta da ieri (domenica) una settantina di opere del pittore russo Vassili Kandinsky, del tedesco Franz Marc e di altri esponenti del movimento artistico nato a Monaco di Baviera nel 1911 e dispersosi con l'inizio della Prima guerra mondiale (Marc morì a Verdun). Alcune di esse vengono raramente mostrate al pubblico o provengono da istituzioni famose, come la "composizione VII" di Kandinsky, normalmente appesa ai muri della Galleria Tretiakov di Mosca.
Blaue Reiter alla Beyeler
"Blaue Reiter" è il titolo dell'almanacco che le due guide del gruppo pubblicarono nel 1912. Costituisce il clou dell'esposizione, aperta fino al 22 gennaio. La nuova concezione dell'arte di questa avanguardia non prevede più la riproduzione della realtà, ma l'illustrazione delle domande. Sulla tela, questo si traduce in una "liberazione del colore", spiega il museo in un comunicato.
Dal TG12.30:
Retrospettiva su Kandinsky
Telegiornale 27.09.2016, 12:30
Dal TG20:
Retrospettiva su Kandinsky
Telegiornale 27.09.2016, 20:00
RG 18.30 del 03.09.2016 La corrispondenza di Raniero Fratini
RSI Info 05.09.2016, 10:17
Contenuto audio
Per saperne di più:
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